Perhaps, a good starting point could sometimes be found not at the beginning, but right at the center of the argument, as long as the path is either one of return or one of continuation.
Between the secular walls of the oldest stone monument of Romanian civil architecture, the Udriste Nasturel Manor, we return to a state of preservation and, no less, of celebration, for we have lived to live, and that should be enough.
While the Festival is conceived as a feast of music and interflow, the art program breathes as a solemnization of the simple act of coming together, breathing and being in the same place, at the same time, leaving ghostly traces of our equally significant existence, not erasing, but reviving the memory of the stones that have survived us.